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Award winning artist and beloved professor, Janice Lessman-Moss is renowned for her intricate weavings. The 91��Ƭ�� University Museum exhibition, Dancing with the Distance showcases more than thirty of her works. The weavings, which span a period of twenty years, display the evolution of her craft and were created on a variety of different looms from hand looms to digital jacquards and power looms. Her mastery of technology extends not just to the use of high-powered looms for weaving but also to the design of the patterns.

We live in a world where fashion, celebrity and personality are inextricably intertwined and elevated to heights of global phenomena. A singular name — Cher, Madonna, Naomi or even Bernie — denotes an immediate and comprehensive image of personae, values and impact. The name Chanel has endured for over 100 years: What does that tell us about the House of Chanel and what does that reveal about us?

Drawing from the rich collection of 91��Ƭ�� University Museum, this exhibition showcases common features shared by regional costume across Europe. In its original context in villages, regional dress carefully marked social and cultural differences. Religious affiliation, gender, age, and marital status were all instantly recognizable at a glance by members of the community. A person’s outfit signaled which village or region they came from. Focusing on these signs of difference obscures the common vocabulary that rural residents across Europe used to shape their clothing.

91��Ƭ�� Focus: Fiber 2019 Focus: Fiber is a biennial national juried exhibition of contemporary fiber art. This exhibition is co-sponsored by the Textile Art Alliance of the Cleveland Museum of Art (TAA), and 91��Ƭ�� University Museum. The mission of TAA is to increase appreciation of the textile arts through lectures, workshops, and exhibitions, and to support the textile collection of the Cleveland Museum of Art. Juror

FASHION MEETS THE BODY is a Juried KSU Faculty Exhibition that will be exhibited in the KSU Museum September 28, 2018 - September 1, 2019. All juried work selected by our two jurors, Rachel Delphia and Margaret Powell from Carnegie Museum of Art relates to the to the theme “Fashion meets the body.” Both individual and collaborative faculty work from The Fashion School and the School of Art including innovative two- and three-dimensional artwork using technology, mixed media, and fiber will be showcased in the exhibition.  

This exhibition explores current trends in menswear design by focusing on the personal collection of Alexandre Marr and Dominic Iudiciani. Marr and Iudiciani’s unique taste shaped the selection of these individual pieces which reveal breaks in men’s fashion from the previously ubiquitous tailored suit. Rather than jackets, trousers and button-down shirts, the garments and ensembles displayed here feature alternatives to more conventionally structured and tailored pieces. These garments also call into question the traditional binary between menswear and women’s wear.

Remarkable for their ability to fly, birds have long held fascination for people around the world. In various ways, birds have provided inspiration for fashion and the decorative arts. Certain birds have meaning in various cultures and their use have had important symbolic value. Feathers have been incorporated into fashion particularly hats, fans, and evening dresses. Images of birds have served as motifs on garments from China and India to Europe and the Americas.

Broadbent Gallery | Jean L. Druesedow, Director    Katharine Hepburn (1907-2003)

From leather strips to silken tassels, fringe takes an array of different forms. Fringe is one of the most basic forms of ornamentation on textiles since it is a natural finish for weaving. When threads of the warp extend beyond the last weft threads they create a fringe. While originally an integral part of the textile, most fringe is now applied separately to the garment. The beauty of fringe often derives from its motion. The loose threads swing and sway at the slightest movement. Although the pieces on exhibit are still, the drama and energy of fringe remains apparent.